Sonata for Trumpet and Piano was premiere at the NASM convention by J. Frank Elsass, a colleague of Kennan’s from the University of Texas. Buy Sonata for Trumpet and Piano (Trumpet Solo w at Trumpet Sheet Music. for Trumpet and Piano. Kent Kennan – Alfred Publishing Co., Inc. : Sonata for Trumpet and Piano: Edition, Part(s) ( ): Kent Kennan: Books.

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This first theme is full of mixed meter, often using asymmetric meters, which is characteristic of the 20 th century style of composing Dearden The first theme is played by the trumpet and is muted Dearden Most of it is an exact restatement of the exposition, but transposed up a half step Dearden Notify me of new comments via email.

Measures three and four introduce the fanfare motive of the main theme, first with the interval of a perfect fourth, then a perfect fifth Dearden The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden This piece is difficult in many ways. The second movement begins with a piano introduction that is made up of a G that stretches to three octaves Dearden This made the piece much easier to perform McNamara When the trumpet part has a long note or rests, the piano has a more elaborate part to keep the music interesting Dearden Some analyze this movement as being in sonata form, while others analyze it as being in rondo form Dearden This entry was posted on Thursday, April 30th, at 3: Fill in your details below or click an icon to log in: The Development The development begins after a short transition from the exposition Dearden Leave a Reply Cancel reply Enter your comment here The first movements are both in Sonata-Allego form, the second movements are in Three Part Song form, and the third movements are in Rondo form, causing them to both have the same overall structure as well McNamara It is based on the secondary theme and uses accents to make the meter difficult to figure out by simply hearing it Dearden The second movement ends with a coda in C major, which has not been played in until this point in the piece Dearden You can follow any responses to this entry through the RSS 2.


All of the themes from the exposition are written in the recapitulation Dearden The piano plays an ostinato under the light, lively trumpet melody Dearden The rest of this movement is based largely around this main theme Dearden This page was last edited on 8 Novemberat The development is the shortest section in the movement Dearden Works Cited Dearden, Jennifer Lorien University of Maryland, This movement also has a short sonafa theme Dearden The main motive that was introduced in the first movement appears frequently in this theme Dearden The Coda The transition into the cods is mostly based on the transition theme from earlier in the movement Dearden Retrieved 8 June The first theme is very rhythmic and separated Dearden This first statement begins in minor, goes through Phrygian, and ends in major Dearden The third theme is a chorale in G keent begins in minor and ends in major Dearden The fanfare leads into the slurred motive that is mostly comprised of eighth notes Dearden The coda begins with a slow temp and a trumpet fanfare than is played over a C major chord in the piano Dearden By using this site, you agree to the Terms of Use and Privacy Policy.


McNamara, Anne Kovarik This section is distinct from the others in this movement because it is the only section that is not muted Dearden The piano has this theme at first underneath the trumpet, then they switch and the trumpet has the inverted wonata of the first theme while the piano plays something totally different Dearden Kennan composed his last major work in at the age of 43 and largely abandoned composition, writing only occasional small pieces and devoting himself to teaching and educational writing.

He was the half brother of the diplomat and historian George F. Email required Address never made public.